![]() ![]() Related: Boldy go and rank the 'Star Trek' movies They're Felix and Oscar in outer space, and still the highlight of this batch of "Star Trek" films. The heart of the film, though, like the previous two, is the bromance between Kirk and Zachary Quinto's Spock. ![]() They're an entertaining enough bunch meandering around, and screenwriters Doug Jung and Pegg (who, as the writer of "Spaced," knows plenty about the intersection of comedy and science fiction) have injected some humor to the proceedings. Among them: Zoe Saldana's Uhura, Simon Pegg's Scotty, Karl Urban's Bones and Chekov, played by the late Anton Yelchin, a fine actor who's disappointing underused here. The backstory, though, never quite gets filled out, and the plot serves as little more than a mechanism to test the efficient camaraderie of the Enterprise crew. A local becomes an essential guide for them: Jaylah (a nimble Sofia Boutella), a pale loner with black streaks running down her face who helps the crew discover the Federation's history on the planet. In a galactic blitz, the Enterprise is torn to shreds and crashes down on a rocky planet where the ship's scattered crew tries to gather, survive and understand Krall's motives. The Starship Enterprise, led by Captain Kirk (Chris Pine, looking more natural in the role), is lured through a nebula where a would-be rescue mission turns into a trap set by the villain Krall, whose spectacular army of mechanical drones ("bees" he calls them) attack in an overwhelming swarm. But unlike the previous film, 2013's bloated "Star Trek Into Darkness," not everything is quite so much of a life-and-death issue (the exhausting de facto pitch of today's summer blockbuster). Like its recent predecessors, "Star Trek Beyond" is mostly an assortment of effects-heavy scenes with bits of talking in between. The last two beefed-up "Star Trek" movies, as if overcompensating for decades of Trekkie nerd-dome, threatened to make the once brainy "Star Trek" less distinct from other mega-sized sci-fi adventures - just another clothesline of CGI set pieces strung together. The (albeit brief) change of pace is immediately appreciated. ![]() The film finds a bored Enterprise finishing up a five-year tour in deep space. Enraged at Kirk's offer, the alien beast hurtles down upon him, only to turn out to be no more monstrous than a feisty bulldog. Captain Kirk (Chris Pine), on a diplomatic mission, appeals to a snarling beast looming above him in a crowded amphitheater. The opening scene, fittingly, plays with a smaller scale. Abrams, has brought to this pleasingly episode-like installment. And it's the kind of welcome touch that director Justin Lin, the "Fast & Furious" veteran who takes over for J.J. It's all expressed with just a few arms tenderly draped across shoulders. The scene in question turns out to be a mere moment, lightly handled, showing Sulu greeting his same-sex partner and their daughter after a long mission. The balance is a delicate one, as seen in the pre-release debate around this film revealing Sulu (John Cho but formerly played by LGBT icon George Takei) as gay. "Star Trek Beyond," like most of the rebooted properties flying around our movie theaters, delights in nostalgically resurrecting iconic characters and tweaking them anew. What bold explorations into the farthest reaches of the galaxy hold for Spock no one knows. And not just a little snicker, either, but a belly-full one. In the latest, "Star Trek Beyond," he laughs. In the previous "Star Trek" installment, Spock cried. ![]()
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